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The Day Will Come

Aug 3, 2020 Songbook “You’ve probably heard that one before, but what the hell. If it was never new, and it never gets old, then it’s a folk song.” first spoken dialogue in Inside Llewyn Davis The coldest murder in the Coen Brothers...

Jun 16, 2020 Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...

Nov 12, 2019 Thai filmmaker Sorayos Prapapan’s Death of the Sound Man begins with a black screen accompanied by the mysterious but unmistakably sexual sound of someone slurping. Shortly after, the first shot reveals a young man in a sound booth fellating a...

May 22, 2019 Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...

Feb 5, 2019 Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Nov 11, 2018 Criterion producer Abbey Lustgarten walks us through the structure and features of a monumental new box set celebrating the Swedish master.

Aug 22, 2017 French cinema titan Sacha Guitry brings a savage misanthropy to this exploration of a toxic marriage and the arbitrariness of the legal system.

Feb 20, 2017 Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.

Feb 3, 2017 Did You See This? Over at the Ringer, K. Austin Collins takes the temperature of queer cinema today, with a focus on two gay-themed selections that were at this year’s Sundance Film Festival, Eliza Hittman’s Beach Rats and Luca Guadagnino’s...

Dec 11, 2014 The opening installment of Terry Gilliam’s “Trilogy of Imagination” reminds us we’d be better off if we paid more attention to the kid’s-eye view of things.

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