Me and Rubyfruit

Oct 16, 2025 — Beyond New York, upcoming events include a Jean Epstein retrospective in Vienna and extensive Frederick Wiseman series in Berkeley and London.

Oct 1, 2025 — In his second stop-motion feature, Wes Anderson grapples with what it means to acknowledge one another within systems that separate beings between pet and master, wild and tamed.

May 12, 2025 — Daniel Kehlmann’s new novel The Director reimagines the life of G. W. Pabst, and there’s a minor role in it for Leni Riefenstahl.

Mar 28, 2025 — The week brings new issues of Film Quarterly and Cineaste and conversations with Michael Mann and Miguel Gomes.

Jan 31, 2025 — As an Australian classic turns fifty, we’re also reading about Leos Carax and Catherine Breillat.

Jan 14, 2025 — In this digressive, intensely interior masterpiece, Jean Eustache mines the dramas of his past romances while also capturing the disillusionment of young Parisians in the aftermath of May 1968.

Jun 28, 2024 — Alain Guiraudie and Angela Schanelec discuss their new films, Albert Serra opens an exhibition, and Paul Schrader gets ranked.

May 24, 2024 — The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

Mar 25, 2024 — What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.

Jan 22, 2024 — The festival will launch new work from Olivier Assayas, Mati Diop, Abderrahmane Sissako, Hong Sangsoo, and Matías Piñeiro.