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Sep 24, 2021 — The celebration of the life and work of the filmmaker, novelist, rebel, and father has just begun.

Sep 23, 2021 — Gina Prince-Bythewood’s iconic debut portrays Black love without forcing its heroine to compromise herself and her ambitions.

Sep 22, 2021 — No one’s claiming that Cry Macho is a great movie, but plenty are moved to reflect on what Eastwood has meant to us over all these years.

Sep 22, 2021 — Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...

Sep 22, 2021 — Wes Anderson collects his favorite New Yorker stories, and Werner Herzog has written his first novel.

Sep 20, 2021 — Kenneth Branagh gets an early awards season boost, while Indonesian director Kamila Andini wins the Platform prize.

Sep 16, 2021 — As the Viennale prepares a retrospective, Toronto premieres what Davies calls “the best film I’ve made.”

Sep 13, 2021 — Audrey Diwan, Jane Campion, and Maggie Gyllenhaal take home top awards.

Sep 7, 2021 — When Breathless opened in the U.S., the New York Times announced the arrival of “a hypnotically ugly new young man by the name of Jean-Paul Belmondo.”

Sep 3, 2021 — Faya Dayi opens, Sight & Sound revives the Black Film Bulletin, and Tsai Ming-liang and Tony Leung Chiu Wai look back—and ahead.