The Criterion Collection
Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...
Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.
Short Takes
Sep 2, 2015 — In preparation for our upcoming release of D. A. Pennebaker’s groundbreaking 1967 Bob Dylan documentary Dont Look Back, we recently visited the legendary filmmaker at his home, where he introduced us to an old friend. Photo by Grant Delin That’s...
Aug 25, 2015 — In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.
Short Takes
Aug 25, 2015 — Bill Hader and Fred Armisen’s hilarious new IFC Channel show Documentary Now! started last week, and already we can’t get enough. Of course, it helps that the crackerjack comedy team (one of whom is an avowed Criterion fanatic) launched the...
Short Takes
Aug 20, 2015 — You may recognize Jason Polan’s often wacky, always charming drawings from our newsletter emails. But the artist, whose illustrations have also been published in the New Yorker, Metropolis, and the New York Times, has his sights set on more than...
Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.
Aug 12, 2015 — Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.
Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.
Jul 14, 2015 — Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.