The Criterion Collection
The Daily
Feb 7, 2023 — A series in Melbourne spotlights Guerra’s work with Antonioni, Fellini, Tarkovsky, and Angelopoulos.
Sep 28, 2022 — This melodrama, made by André de Toth in his native Hungary, anticipates the unease of the director’s postwar Hollywood films with an array of radical stylistic choices and jarring visual tensions.
Sep 28, 2022 — Sarah Maldoror’s only completed narrative feature tracks the Angolan struggle for independence from Portugal and reckons with the interlocking systems of colonialism, capitalism, and patriarchy.
The Daily
Sep 1, 2022 — Noah Baumbach’s adaptation of Don DeLillo’s novel is met with a first round of qualified praise.
Features
Aug 26, 2022 — In a pivotal early scene in this baseball classic, director Ron Shelton mischievously uses two contrasting rock tunes to comment on disparate versions of masculinity.
Essays
May 17, 2022 — Juzo Itami’s tragicomic directorial debut has scandalous fun with the Japanese traditions governing death.
The Daily
Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.
The Daily
Nov 10, 2021 — Over time, the former child star learned to love his work.
Essays
Oct 12, 2021 — In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.
The Daily
Oct 5, 2021 — Introduction won a Silver Bear in Berlin, and Lee Hyeyeong returns to the screen for the first time in over a decade for In Front of Your Face.