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Sep 29, 2015 — The combination of deep-rooted anger and intellectual trickiness in Krzysztof Kieślowski’s film called for an artist with an unusual combination of skills.

Sep 22, 2015 — Two precocious youngsters try to carve out a corner of the world just for themselves in Wes Anderson’s alternately melancholy and boisterous tale of growing pains.

Sep 14, 2015 — In his latest column, Peter Cowie reflects on his friendship with our beloved cofounder.

Sep 14, 2015 — Our CEO commemorates Criterion’s cofounder, who was also a friend, partner, and father figure.

Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.

Aug 26, 2015 — Filmmaker Keith Gordon has directed the features The Chocolate War (1988), A Midnight Clear (1992), Mother Night (1996), Waking the Dead (2000), and The Singing Detective (2003), along with multiple episodes of the series Fargo, Homeland, The Leftovers, The Killing,...

Jul 31, 2015 — • Well, my stars! Actors pick Tootsie as the greatest movie ever. • The still-startling inventiveness of Man with a Movie Camera • Beautiful modern Indian movie palaces

Jul 30, 2015 — It is now thirty years since the release of Stephen Frears’s film, which was both a product of and a response to the social and political landscape of 1980s Britain and depicted the lives of Pakistani immigrants with wit and...

Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.

Jul 14, 2015 — Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.