The End of the Day

Aug 15, 2024 — Late August, early September—this is the perfect spot on the calendar for the Rozier retrospectives in New York and Los Angeles.

Nov 1, 2022 — A film of rich colors, mournful silences, and haunting symmetries, Wong Kar Wai’s masterpiece is a meticulously constructed memory box that invites fetishistic dissection.

Mar 27, 2006 — Louis Malle’s coming-of-age drama offers an unusually full and individualized characterization of a boy whose yearnings, sensitivities, and fantasies outstrip his personality.

Jan 29, 2026 — Critics have taken a liking to the new films from Olivia Wilde, Padraic McKinley, and John Wilson.

Dec 22, 2025 — The critic and curator talks about working on a program of films by trailblazing Black women directors, which opened at London’s BFI Southbank this year and is now playing on the Criterion Channel.

Dec 9, 2025 — In one of cinema’s greatest love stories, Michael Powell and Emeric Pressburger use the mercurial beauty of Scotland’s Inner Hebrides to evoke the unruly passions of an indelible heroine.

Nov 14, 2025 — This week: Buñuel revivals, the Rock Hudson centenary, and Mishima’s Japanese premiere.

Nov 12, 2025 — He anchored some of the best films by Kurosawa, Kobayashi, Okamoto, Naruse, and Teshigahara.

Oct 10, 2025 — This week: Essays on Daniel Day-Lewis, Sophie Fillières, and Miguel Gomes, a talk with Wes Anderson, and an AI experiment.

Feb 24, 2025 — Todd Haynes’s jury gives the Berlinale’s top awards to films by Dag Johan Haugerud, Gabriel Mascaro, Iván Fund, Huo Meng, and Radu Jude.