Cannes Stories

The Daily

May 14, 2020 Sorely missing the festival this year, filmmakers and critics swap memories and reflections.

May 8, 2020 The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...

A Virtual Season

The Daily

Apr 30, 2020 Festivals scheduled through August are taking their editions online, while studios and theater chains face off over digital releases. Here’s the latest on the impact of the virus.

Apr 15, 2020 While three parallel programs have cancelled, Cannes still holds out hope for a 2020 edition. Here’s the latest on how the virus is affecting cinema.

Apr 9, 2020 The American Cinematheque premieres a delightful five-minute film that Varda made in 2008.

Apr 8, 2020 Plus Godard on Instagram, Almodóvar from Madrid, and John Sayles on his favorite movies.

Apr 7, 2020 Before the 1990s, the era when the power centers of fashion began to be much more numerous and dispersed, decades could be easily identified by the most prominent looks and cuts of their pervasive styles. The closet of the sixties...

Apr 1, 2020 Are Snakes Necessary?, an erotically charged tale of revenge and political intrigue, naturally features a nod to Hitchcock.

Manic Mahler

Features

Mar 26, 2020 Deep Dives BOOM! Mahler (1974) begins auspiciously and iconoclastically, as befits its director, with a peaceful lakeside scene shattered by an abrupt conflagration. The combusting hut echoes Kiss Me Deadly and anticipates The Sacrifice and Lost Highway (Lynch: “I got...

Mar 17, 2020 Released in, or rather let loose upon, the first year of the new millennium, Spike Lee’s febrile and ferocious media satire Bamboozled—the fifteenth feature-length “joint” of a prolific career—found its writer-director in an unflinching mode and an unforgiving mood. According...

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