The Criterion Collection
Aug 23, 2022 — With one foot in naturalism and the other in dreams and poetry, Marcel Carné’s visually rousing drama is an ode to the daily vicissitudes of ordinary Parisians.
Aug 23, 2022 — Sidney Poitier’s directorial debut, a western depicting Black cowboy heroes, allowed two of the industry’s most significant Black stars to reorient themselves as artists.
The Daily
Aug 19, 2022 — Věra Chytilová, Lodge Kerrigan, and the first zombies are back in theaters; plus, a tour of installations by Agnès Varda.
The Daily
Aug 18, 2022 — This week’s announcements from Toronto and New York promise tantalizing world premieres and other highlights of the season.
Essays
Aug 18, 2022 — With an obsessive attention to detail and tiny gestures, Ronald Bronstein’s debut feature film turns the tale of one neurotic Brooklyn man into a furious work of personal cinema.
The Daily
Aug 17, 2022 — Our late summer reading list includes vital film criticism and new titles on Josephine Baker, Douglas Fairbanks, and more.
Features
Aug 17, 2022 — The music of the legendary, multiple-Oscar-winning composer brought the freedom and anxiety of postwar America to life.
The Daily
Aug 16, 2022 — The director’s first novel is an action-packed prequel and sequel to his 1995 film.
Aug 16, 2022 — The Safdie brothers drew inspiration from their childhood memories for their first feature as codirectors, a terrifying yet wondrous portrait of an unpredictable father.
The Daily
Aug 16, 2022 — The big winners at the festival’s seventy-fifth edition were Julia Murat and first-time director Valentina Maurel.