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The Post

Jun 20, 2011 Genres collide in the great Hollywood movies of the mid­fifties cold-war thaw. With the truce in Korea and the red scare on the wane, ambitious directors seemed freer to mix and match and even ponder the new situation. The western...

Aug 2, 2010 The great, beloved screenwriter Suso Cecchi D’Amico died this past weekend at the age of ninety-six. A longtime collaborator of Luchino Visconti’s (they’re pictured together above), including on the epic The Leopard (1963), Cecchi D’Amico worked with just about every...

Remembering Peter Brunette

Production Notes

Jun 22, 2010 Sitting on a hard drive here in the office is the unedited footage of an interview we shot here with Peter Brunette on April 26, for an upcoming release of Senso. The release had been delayed, but I told Peter that since...

Apr 27, 2009 The idea of making a film about Japan’s most famous sex crime, with a decent budget and in conditions of complete freedom, reawakened Nagisa Oshima’s desire to direct—and the prospect of circumventing Japanese censorship must have made the decision even...

Sep 13, 2007 Some people have seen an impossible number of movies, and the most astonishing part is that they actually remember them all. Pierre Rissient, who is very much on our minds these days, is one of those. Producer, director, distributor, talent...

Jul 9, 2007 Hiroshi Teshigahara’s late work is a masterful amalgam of high international modernism and traditional Japanese fine arts.

Oct 16, 2006 Screenwriter Carlos Cuarón delves into the character played by Luis De Icaza.

Early Summer

Essays

Jul 19, 2004 In Yasujiro Ozu’s hands, the extended-family drama widened its focus to encompass friends, neighbors, and employers.

Le Corbeau

Essays

Feb 16, 2004 Henri-Georges Clouzot took the standard ingredients of the Continental-Films detective movies and used them to make something darker and more complex—to make, in fact, the first classic French film noir.

Jun 4, 2001 Mario Monicelli’s caper comedy is that genuine rarity in popular culture: a satire that not only helped kill off one movie genre, but started a whole new subgenre in the process.

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