The Criterion Collection
The Daily
Dec 17, 2018 — Also, directors discuss their craft, and critics carry on listing the best films of 2018.
Dec 14, 2018 — “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...
Dec 11, 2018 — Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...
The Daily
Nov 30, 2018 — A new issue from a magazine founded over fifty years ago and a showcase of work by aspiring film critics.
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
Features
Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...
Nov 20, 2018 — The loss of Pablo Ferro and Douglas Rain reminds us that Kubrick had a sharp eye for unique talent.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
On the Channel
Oct 8, 2018 — A vibrant movie theater in the college town of Missoula, Montana, takes the spotlight in the Criterion Channel series Art-House America.
The Daily
Sep 29, 2018 — This “lean but evocative allegory” can be read in a surprising number of ways.