The Criterion Collection
Dec 6, 2016 — This elegiac meditation on impermanence showcases Laurie Anderson’s playfully experimental approach to sound and image.
Short Takes
Nov 30, 2016 — Today, we’re celebrating the seventy-third birthday of one of American cinema’s most lyrical and enigmatic storytellers. Over the course of more than four decades, Terrence Malick has established a distinctive aesthetic that juxtaposes the majestic beauty of nature with the...
Nov 25, 2016 — In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.
In Theaters
Nov 24, 2016 — Repertory Picks Those in Hartford and Nashville still in a gluttonous mood after tonight’s Thanksgiving meal can feast their eyes on our rerelease of the 1985 gastronomic treasure Tampopo, an episodic comedy about a fledgling ramen chef desperately trying to...
Essays
Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.
Short Takes
Nov 18, 2016 — Artists across all mediums have long been obsessed with the challenge of evoking dream states, but film—with its oneiric combinations of light and shadow, and its ability to manipulate time and space—has particularly uncanny access to our nighttime reveries. Whether...
Sneak Peeks
Nov 18, 2016 — A dazzling mix of folklore, myth, and the director’s own nighttime visions, Akira Kurosawa’s Dreams represents a late-career burst of creativity from one of the masters of Japanese cinema. Over the course of the film’s eight surreal episodes, Kurosawa moves...
On the Channel
Nov 15, 2016 — This week’s Short + Feature program on the Criterion Channel pairs D.A. Pennebaker’s three-minute experimental Daybreak Express and Ronald Neame’s feature comedy The Horse’s Mouth.
Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.
Nov 14, 2016 — For his first foray into romantic comedy, Paul Thomas Anderson worked closely with Jon Brion on a score that combines melodic orchestration with startling dissonance.