The Criterion Collection
Short Takes
Sep 8, 2016 — Few political films have remained as incendiary or as relevant as Gillo Pontecorvo’s 1966 film.
Sneak Peeks
Aug 19, 2016 — Stig Björkman’s intimate documentary Ingrid Bergman: In Her Own Words illustrates the actor’s private and professional life through selections from home movies, letters, and photographs.
In Theaters
Jun 9, 2016 — Dutch cinematographer Robby Müller has given us some of the most transcendent images ever captured on-screen. Since beginning his career in the late sixties, he has lensed a wealth of indelible moments—from Harry Dean Stanton wandering alone through the vast...
Sneak Peeks
Apr 14, 2016 — Before he became one of cinema’s greatest directors, Howard Hawks was a pilot for the U.S. Army Air Corps during World War I. And in the years following the war, Hawks took advantage of his flying expertise and the public’s...
Features
Apr 4, 2016 — Ray Dolby did not match the conventional image of an eccentric inventor, nor that of a business mogul. But his name now represents a benchmark by which the recording of sound and its playback on disc and in movie theaters...
Jun 7, 2015 — Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.
Tech Corner
Jul 21, 2014 — Restoration SpotlightThe following short program, which also appears as a supplement in our new box set The Essential Jacques Demy, gives viewers a behind-the-scenes look at the painstaking 2013 digital restoration of The Umbrellas of Cherbourg, which brought the film back...
Interviews
Aug 28, 2012 — The boy Quadrophenia’s Jimmy was based on (or was he?) talks to us about the mod life.
Jan 8, 2009 — The Australian Centre for the Moving Image begins a retrospective of the film work of groundbreaking photographer and multimedia artist William Klein on January 22, and to accompany its fourteen-film program, critic and Criterion contributor Adrian Martin has written an...
Jun 27, 2005 — Ko Nakahira’s Nikkatsu Studio youth flick helped transform postwar Japanese cinema.