The In Between

Mar 27, 2018 — At the height of his career, Ken Russell brought D. H. Lawrence’s classic exploration of human sexuality to the screen with frank eroticism and visual panache.

Feb 2, 2018 — Opening today at the Film Society of Lincoln Center, Iranian master Abbas Kiarostami’s final film, 24 Frames, is a subtle meditation on time and perception.

Jan 18, 2018 — One of the landmarks of 1960s Japanese cinema plays at the Berkeley Art Museum and Pacific Film Archive this week.

Dec 21, 2017 — In this excerpt from an interview on our edition of The Piano Teacher, the Austrian director discusses the mechanics of one of the film’s most shocking sequences.

Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.

Sep 29, 2017 — One of the most elusive artists in American cinema opens a window onto his private life and creative methods in this revelatory documentary.

Aug 11, 2017 — A new video essay on our edition of The Breaking Point breaks down the fluid visual style of one of Hollywood’s most dependable and prolific masters.

Jul 31, 2017 — What is the defining characteristic of the femme fatale? Critic Imogen Sara Smith explores the range of this film noir archetype through a handful of classic performances.

Jul 25, 2017 — Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.

Jun 22, 2017 — Most film analysis centers on what is visible on-screen, but sometimes a moment can hinge on information that lies beyond the frame. In the latest installment of Observations on Film Art, a Criterion Channel series that explores the ins and...