The Criterion Collection
Features
Mar 3, 2020 — American cinema is over 125 years old, and African Americans have been a part of it from the beginning. This participation has often been fraught, stymied, and curtailed, but the desire to use motion pictures to craft a self-image has...
Essays
Dec 12, 2019 — Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...
Aug 14, 2019 — There is a scene in Henry King’s State Fair (1933) that ranks among the most poetic moments in all of 1930s American cinema. There is not much to it, just a family driving through the dusk in their rattling pickup...
Features
Aug 6, 2019 — Once, in 1977, Werner Herzog read a news item about a volcano that was supposed to erupt in Guadeloupe and one man living there who refused to evacuate with the rest of the island’s population. Herzog being Herzog, he immediately...
Short Takes
May 23, 2017 — Continuing my trip through Cannes history, today I’m focusing on one of the most celebrated works of Italian master Michelangelo Antonioni, who became an international sensation partly thanks to the booing and heckling he endured at the Cannes premiere of...
In Theaters
Nov 24, 2016 — Repertory Picks Those in Hartford and Nashville still in a gluttonous mood after tonight’s Thanksgiving meal can feast their eyes on our rerelease of the 1985 gastronomic treasure Tampopo, an episodic comedy about a fledgling ramen chef desperately trying to...
Production Notes
Jul 27, 2015 — 1. My Beautiful Laundrette launched a number of careers: that of writer Hanif Kureishi, soon to be regarded as one of the most important voices of his generation; those of producers Tim Bevan and Sarah Radclyffe, whose then fledgling company, Working...
A delicate hand, effervescent humor, and an economy with words and images define this German director, who became a legendary figure in Hollywood comedy.
Essays
Nov 22, 2009 — “The most concrete emblem of every economic cycle is the dump,” writes Naples native and best-selling Italian muckraker Roberto Saviano somewhere near the conclusion of his extraordinary 2006 “nonfiction novel” Gomorrah, a seethingly cogent and literarily constructed indictment of the...
Jul 9, 2007 — This unforgettable drama about damaged adolescents combines Jean Cocteau’s penchant for mythic poetry and Jean-Pierre Melville's knack for crafting intricate schemes.