Old Well

Jun 25, 1989 — A thoroughgoing investigation of the terms “bravery” and “cowardice,” Stanley Kubrick’s early work offers far more than a mere “anti-war” statement, paring with almost surgical precision to the heart of the fear, hubris and mendacity that keep the war machine...

Mar 15, 1989 — When Darling debuted in 1965, Bosley Crowther of the New York Times remarked that director John Schlesinger had “made a film that will set tongues to wagging and moralists wringing their hands.” There was plenty of tongue-wagging over this satirical...

Mar 6, 1989 — This black-and-white horror flick is the definitive ‘50s film about a town that won’t listen to the kids until it’s too late.

Apr 4, 1988 — Back in 1968 when The Producers made its debut, writer-director Mel Brooks was better known within the entertainment industry than by the public at large. His writing for Sid Caesar’s Your Show of Shows and the Get Smart television series,...

Jan 20, 2023 — This week: Jerzy Skolimowski, Alice Diop, Alexander Hammid, Bernardo Bertolucci, and Orson Welles.

May 12, 2021 — The actor, director, and producer known for his work with Welles, Hitchcock, Chaplin, and Renoir was 106.

Aug 14, 2020 — Appreciations of Kathleen Collins and Vittorio De Sica and interviews with James Mangold, Orson Welles, and Billy Wilder are among this week’s highlights.

Jun 21, 2004 — Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...

Aug 28, 1995 — Three Cases of Murder is of most interest to American audiences for Orson Welles’s flamboyant and bravura performance as Lord Mountdrago. However, it’s equally important as a showcase for Wendy Toye, one of Britain’s first female directors, and star Alan...

Aug 3, 2026 — The American Cinematheque presents six of the eleven films Douglas Sirk and cinematographer Russell Metty made between 1952 and 1959.