Oct 20, 2008 Costa-Gavras’s film pointedly raised issues that for many people were only dimly in the air at the time, and which have become more and more unavoidable in recent years, as the United States has openly assumed its imperial role.

Aug 11, 2008   WINGS: TAKING OFF Of all the dazzlingly talented filmmakers to emerge from the Soviet Union, Larisa Shepitko has remained one of the least widely known. While many of her film school contemporaries, including Andrei Tarkovsky, Sergei Parajanov, and her...

Mar 17, 2008 During the Second World War, when Hiroshi Teshigahara was a schoolboy, Japan’s cities—above all his hometown, Tokyo—were mercilessly firebombed. He, and his future associates in countless artistic undertakings, returned to a landscape of bleak ruins. The adolescent Hiroshi was particularly...

Aug 20, 2007 In the mid-sixties, Luis Buñuel became fascinated by the youth rebellion that culminated with the events of May 1968 in Paris and also manifested itself in music, fashion, opposition to institutions, family, and state. Buñuel felt that the forces of...

Jul 23, 2007 It’s hard to think of an artist who better exemplifies the obscuring ebb and flow of film history than Raymond Bernard.

Mar 26, 2007 Across five films, the Swedish director defined his guiding themes and cinematic style.

Jan 27, 2007 Despite all the hype (or maybe because of it), it wasn’t that hard to get into the films I wanted to see. Standing on the last minute wait line worked for me every time, although that might say something for...

May 22, 2006 Luis Buñuel’s merciless satire concerns the smallness of our vision of progress and our narrow attempts to achieve it through rational or moralistic planning.

Nov 7, 2005 Often appearing on lists of the ten greatest films of all time, called one of the most beautiful films ever made, or the most masterful work of Japanese cinema, Ugetsu comes to us awash in superlatives. No less acclaimed has...

Secret Honor

Essays

Oct 18, 2004 Nixon as Hamlet, Nixon as Lear, Nixon as Blanche DuBois, Nixon as Krapp—clutching every last tape to his breast with the wild fury and despair of a man on the precipice . . . Nixon in his study, poring over...

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