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A Dream

Jul 6, 2015 The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....

Jun 25, 2015 German director Bernhard Wicki proved his uncommon cinematic skill with his heartbreaking tale of teen soldiers sent off to die near the end of World War II.

Jun 22, 2015 Terry Gilliam touches down in the real world for the first time with this fanciful tale of blurred class boundaries in New York City.

Nov 25, 2014 More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.

Into the Past

In Theaters

Jul 24, 2014 Repertory PicksOn July 26, 27, and 28, viewers at the Center for Contemporary Arts Santa Fe can see Ingmar Bergman’s Wild Strawberries on the big screen, and thus enter the mindscape of Isak Borg, the film’s indelible main character. Played by legendary...

May 12, 2014 The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.

Mar 11, 2014 Presenting  five poor, black and white North Carolina preteens as they awaken to love and death, George Washington (2000) tells a common adolescent story, yet the film is distinguished by the poetic, ruminative style of its twenty-five-year-old director, David Gordon...

Nov 22, 2013 Did You See This? • Catching up with Nashville’s Ronee Blakley • Visit Being John Malkovich’s 7½ floor. • Agnès Varda selects. • They’ve got a file on you, Orson. • Words of wisdom from Albert Maysles • The Warner...

Jul 30, 2013 Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.

Mar 19, 2013 A distinctive trait of the films of Terrence Malick is the artful way they employ narration. Sometimes the voice-over is dreamy (Sissy Spacek’s in Badlands), sometimes it’s disarmingly concrete (Linda Manz’s in Days of Heaven), sometimes it comprises audacious, poetic...

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