The Criterion Collection
The Daily
Aug 8, 2023 — Premiering in competition, Do Not Expect Too Much from the End of the World is an immediate critical favorite.
The Daily
Jul 12, 2023 — An actress disrupts the life of the woman she’s playing in the latest feature from Todd Haynes.
Essays
May 30, 2023 — Seamlessly blending an array of cinematic traditions, Thelma & Louise is more than anything a western—one that takes advantage of the genre’s elasticity and reflects its preoccupation with justice, liberty, and self-determination.
The Daily
May 8, 2023 — A new film by the late director is the clear highlight of this year’s Cannes Classics program.
Apr 25, 2023 — Steve McQueen’s monumental, five-film portrait of London’s West Indian community is a howl of endorsement for political resistance and a vivid indictment of institutional malaise.
The Daily
Apr 14, 2023 — This week: Interviews with Rob Tregenza and Ari Aster and new writing on Lubitsch, Jarmusch, and Laura Citarella.
The Daily
Apr 10, 2023 — Ian Penman’s new book Fassbinder Thousands of Mirrors is neither a straight-ahead biography nor an orderly critical analysis.
The Daily
Jan 30, 2023 — The festival is sending around two dozen award-winners out into an uncertain marketplace.
Jan 24, 2023 — The German contingent is strong: Margarethe von Trotta, Christian Petzold, Angela Schanelec, Christoph Hochhäusler, and Emily Atef.
The Daily
Dec 15, 2022 — The Black List is out, new additions to the National Film Registry are in, and there’s more on the best of 2022.