To Let

Jul 29, 2024 — MoMA presents seven recent restorations, including films by Victor Sjöström, Howard Hawks, and Frank Borzage.

Jul 23, 2024 — Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.

Jul 12, 2024 — We dive this week into the worlds of Jean Eustache, Walerian Borowczyk, John Ford, Kozaburo Yoshimura, and Chris Marker.

Jun 21, 2024 — We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.

Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.

May 30, 2024 — The season brings new biographies of Ingmar Bergman and Elaine May, a novel by Miranda July, plus interviews, excerpts, and podcasts

May 29, 2024 — This Oscar-winning courtroom drama revolves around one of director Justine Triet’s most complex creations—a high-achieving female protagonist whose motivations remain tenaciously mysterious.

May 15, 2024 — The festival opens with a showcase for French acting royalty.

Apr 3, 2024 — This year’s edition is bookended by two very New York movies.

Apr 2, 2024 — The main attraction of the Metrograph series will be the new restorations of Green Fish, Peppermint Candy, Oasis, and Poetry.