The Criterion Collection
Aug 28, 2020 — One severe pan, a good handful of raves, and a set of fence-straddling reviews recommending that viewers go ahead and proceed—but with caution.
Aug 27, 2020 — In his novel All the Rest Have Died (1964), about his experience as a young actor in New York, Bill Gunn wrote, “I was always only slightly aware of the injustice the Black artist suffers while trying to create in...
The Daily
Aug 27, 2020 — Writer, director, editor, and coproducer Sandoval stars as an undocumented Filipina drawn into a relationship with an unstable man.
The Daily
Aug 25, 2020 — The NYFF presents its inaugural Currents lineup, and the Berlinale’s acting awards are going gender-neutral.
Aug 25, 2020 — Set among immigrants and laborers in an unglamorous corner of the South of France, Toni (1935) fulfills Jean Renoir’s wish to make a film in “a style as close as possible to that of daily encounters,” as he wrote in...
The Daily
Aug 24, 2020 — “Temporal pincers” aside, this two-and-a-half-hour puzzler may be easier to follow than you might expect.
The Daily
Aug 21, 2020 — A free film school in a French banlieue, a nineteenth-century inventor, and a lesbian classic are among this week’s highlights.
The Daily
Aug 20, 2020 — The one-of-a-kind actress gave us unforgettable performances in Days of Heaven and Out of the Blue.
Aug 18, 2020 — Chris Hegedus and D. A. Pennebaker’s restless, captivating Direct Cinema triumph Town Bloody Hall is a work of oceanography, documenting one splashy moment in the cresting and crashing of American feminism’s second wave. The film chronicles the “Dialogue on Women’s...
Features
Aug 14, 2020 — One Scene Over the course of an adventurous career that encompassed narrative and documentary filmmaking as well as photography, sculpture, and video installation, Agnès Varda was a shape-shifter who merged her deep engagement with social reality with a playful, endlessly...