The Way

May 9, 1994 — The importance of Two English Girls lies in its sheer vitality. The film is an extraordinary cinematic conjuring trick in which Truffaut draws the viewer both physically and visually into his own personal pleasures. He does this on a multitude...

Apr 19, 1994 — Rivaled only by Fritz Lang and G. W. Pabst as Germany’s greatest director of the silent age, Friedrich Wilhelm Murnau was a tireless formal innovator exhilaratingly difficult to pin down. If his 1922 horror epic Nosferatu represented an apex of...

Sep 30, 1992 — The unprecedented popularity of this gender-bending sex farce inspired two sequels, a hit Broadway musical, and at least one transvestite nightclub.

Sep 24, 1992 — It was in 1947 that Vladimir Nabokov began writing what he described as “a short novel about a man who liked little girls.” Completed in 1954, the manuscript was rejected as pornographic by at least four New York publishers. Nabokov...

Dec 2, 1991 — Director Akira Kurosawa had wanted to make Throne of Blood for some time. “After finishing Rashomon [in 1950] I wanted to do something with Shakespeare’s Macbeth, but just about that time Orson Welles’s version was announced, so I postponed mine.”...

Nov 13, 1991 — Richard Lester’s Help! was the first of a new kind of rock-and-roll movie which altered the shape, face, and form of rock music. Before Help!, most of the rock-and-roll genre movies were simple, self contained films conceived in the narrowest...

May 20, 1991 — In 1941, director Frank Capra was at the peak of his profession with a string of critical and popular successes behind him—next would come his adaptation of a farcical and macabre stage play.

Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Jan 7, 1991 — Vittorio de Sica remembers the inspirations behind and the making of his classic film.

Dec 9, 1990 — Michael Powell’s war thriller ranks alongside Hitchcock’s Foreign Correspondent as one of the two finest amalgams of suspense and propaganda to grace the big screen during the years 1939-45.