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Jan 21, 2022 — Welles, Hitchcock, Malick, Nuri Bilge Ceylan, and Jonas Mekas appear between the covers this month.

Jan 21, 2022 — In a series of tautly constructed dramas that imbue the everyday struggles of married life with suspense and tragedy, filmmaker Asghar Farhadi has proven himself a remarkable observer of the social, moral, and personal dimensions that shape contemporary Iranian society....

Jan 21, 2022 — When I received the email asking me to work on the cover art for the Criterion Collection edition of Citizen Kane, my emotions quickly went from pure joy to complete dread. What can be done for a film of this...

Jan 18, 2022 — MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.

Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...

Jan 13, 2022 — Yes, he opened doors, but he also brought a singular presence to American cinema.

Jan 11, 2022 — A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

Jan 7, 2022 — Travel this weekend with Stanley Kubrick, David Bowie, Sarah Maldoror, Lana Wachowski, and Tsai Ming-liang.

Jan 6, 2022 — With the Omicron wave on the verge of peaking, Sundance calls off this year’s in-person events.

Jan 3, 2022 — Both as an art and a business, cinema faces serious challenges, but the past year offers reasons for optimism.