Ignasi M.

Jan 30, 2024 — A kaleidoscopic work of literary adaptation, Dee Rees’s fourth feature film is anchored in a powerful fraternal bond between two men from opposite sides of the color line.

Jan 30, 2024 — Metrograph will screen Kimi Takesue’s study of tourism in Laos and stream her two previous features as well.

Jan 26, 2024 — We gather essays and interviews related to series spotlighting Ousmane Sembène, Serge Daney, Skip Norman, Iranian cinema, and the Oscars.

Jan 25, 2024 — Best known for In the Heat of the Night and Moonstruck, Jewison also directed spectacular musicals, heist thrillers, and courtroom dramas.

Jan 24, 2024 — Neon’s latest Sundance acquisition is a ghost story told by the ghost.

Jan 23, 2024 — Jason Schwartzman and Carol Kane star in the story of a cantor who has lost his wife, voice, and will to live.

Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.

Jan 22, 2024 — The festival will launch new work from Olivier Assayas, Mati Diop, Abderrahmane Sissako, Hong Sangsoo, and Matías Piñeiro.

Jan 22, 2024 — The haunting follow-up to We’re All Going to the World’s Fair explores the joys and dangers of fandom.

Jan 19, 2024 — We’ve been reading about Francis Ford Coppola, James Baldwin, Chantal Akerman, and Cary Grant and Randolph Scott’s barely kept secret.