Get On Up

May 11, 2021 — When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...

May 7, 2021 — Critics celebrate the new 4K restoration of The Story of a Three Day Pass (1968).

Apr 29, 2021 — Seven features in this year’s New Directors/New Films lineup premiered in Rotterdam’s Tiger competition.

Apr 28, 2021 — A black-and-white comedy about a mother-daughter team of grifters opens New Directors/New Films.

Apr 26, 2021 — Capping a months-long journey, Chloé Zhao’s Nomadland wins three top awards.

Apr 19, 2021 — What lies beyond the grave? Human cultures across space and time have imagined many kinds of afterlives, from the attenuated shades of Hades to the lush paradise of the Islamic Jannah to the merger with the infinite anticipated by mystics....

Apr 7, 2021 — Songbook Zula knocks back two shots like they’re water, picks up a brimming martini glass, and struts right up to her current lover’s former lover—a poetess, at that—to introduce herself. “Bon soir,” says Zula, French still a little heavier on...

Apr 5, 2021 — For the first time, all four individual film acting prizes have gone to people of color.

Apr 2, 2021 — One Scene Thomas Vinterberg no longer holds fast to the ascetic tenets of Dogme 95, the film movement he cofounded in 1995 with fellow Danish director Lars von Trier, but what has remained constant throughout his career is his sharp...

Apr 2, 2021 — This week people are writing and talking about Eric Rohmer, Michael Mann, Adam Curtis, the new Jump Cut, and the king of the “geezer teasers.”