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Mar 20, 2024 — The Cinémathèque presents three double features, and all six films star “noir seductress nonpareil” Gloria Grahame.

Mar 19, 2024 — One of the first postrevolutionary Iranian films screened and celebrated internationally, Amir Naderi’s autobiographical masterpiece is a lyrical exploration of childhood that showcases the director’s gift for radical simplicity.

Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Mar 15, 2024 — Brussels celebrates Chantal Akerman, Hirokazu Kore-eda remembers Ryuichi Sakamoto, and there are some intriguing projects in the works.

Mar 14, 2024 — A bittersweet comedy and a documentary about a Shakespeare production in a virtual world take the top prizes.

Mar 13, 2024 — This year’s edition opens with Amrou Al-Kadhi’s Layla, and Elliot Page will be on hand to talk about Close to You.

Mar 13, 2024 — The subject of a revelatory retrospective at last year’s Morelia International Film Festival, this groundbreaking director ushered in Mexican cinema’s golden age with vibrant explorations of the nation’s folk traditions and revolutionary past.

Mar 12, 2024 — In this profoundly emotional portrait of artist Nan Goldin, director Laura Poitras explores how her subject’s creative sensibility and commitment to activism spring from the same source.

Mar 8, 2024 — This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.

Mar 8, 2024 — Though the Taiwanese director began working in commercial genres, even his earliest mainstream films contain the seeds of the inimitable style that would establish him as one of the world’s most important filmmakers.