The Criterion Collection
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Mar 3, 2022 — Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.
Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...
Feb 28, 2022 — Ulysses Jenkins is an artist of extremes, an innovator who has probed the limits of a wide range of aesthetic modes for over five decades. Though he’s best known for his video art, a medium whose conventions he has been...
Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.
Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.
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Feb 14, 2022 — The Berlinale’s most adventurous section offers adaptations, inspiration, and a slice of its own history.
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Feb 11, 2022 — The week wraps with swift thrills from Steven Soderbergh and Dominik Graf and fresh appreciations of Louis Malle and Julien Duvivier.
The Daily
Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.
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Jan 27, 2022 — As John Cameron Mitchell’s newly restored second feature returns to theaters, many wonder if it could possibly be made today.
The Daily
Jan 26, 2022 — Rotterdam opens as Sundance winds down and Berlin sets up.