The Criterion Collection
Aug 22, 2024 — This year, Bologna’s annual feast of restorations and rediscoveries showcased one of the most ambitious masterpieces of the silent era, the melodramas of Japanese filmmaker Kozaburo Yoshimura, and other treasures of film history.
Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...
The Daily
Jul 8, 2022 — The actor brought a wiry tension to his roles in The Godfather, Thief, and Misery.
The Daily
Mar 31, 2022 — This year’s edition features a spotlight on Alice Diop.
Essays
Jan 25, 2022 — A Victorian-era tale of self-discovery, Jane Campion’s Palme d’Or winner exults in the thrill of female rebellion.
Feb 3, 2021 — The lauded star of film, television, and theater was “determined to do all I could to alter the narrative about Black people.”
On the Channel
Nov 30, 2020 — Channel Calendars As the year draws to an end, we’re turning our gaze toward things to come, with an international, intergalactic program of Afrofuturist visions of Black creativity, resistance, and freedom. That’s just the beginning of our holiday bounty: we’ve...
The Daily
Feb 5, 2020 — MoMA’s annual festival of nonfiction film and media is “eclectic by design.”
The Daily
Jul 18, 2019 — While the focus is on new films by young directors, the guest of honor will be the renowned Shinya Tsukamoto.
Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...