The Criterion Collection
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
Jun 17, 2015 — Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.
Essays
May 6, 2014 — This humorous magazine piece from 1970 sheds some light on the meaning of the title of Il sorpasso, along with the way Vittorio Gassman comports himself behind the wheel in it.
Dec 13, 2013 — Metin Erksan’s shocking and sensuous tale of greed and rural life was part of a vibrant Turkish cinema of the fifties and sixties.
Oct 21, 2013 — As a film star, John Cassavetes embodied the kinetic, wild-eyed, insanely grinning villain. He seemed born to the role, with his volatile energy and dynamic outbursts, luminous yet curiously deadened eyes, wide-gaping mouth (David Thomson has likened it to a...
Oct 2, 2012 — Set in 1960s Hong Kong, Wong Kar-wai’s ravishing masterpiece is both a love song to a city and a human romance of epic intimacy.
Sep 19, 2012 — Marcel Carné’s tale of love and devilry in medieval France was a sensation during the German occupation.
May 29, 2012 — Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.
May 29, 2012 — A watershed film in Bergman’s career, this tale of a woman caught between the past and present is a masterful study in darkness and light.
Nov 15, 2011 — “The day I can buy toilet paper in a Polish store, I’ll discuss politics,” Krzysztof Kieślowski told an interviewer in 1989, as he brushed aside a question. He was speaking at the Montreal Film Festival, where he was serving on...