The Criterion Collection
Essays
May 27, 2010 — Dismiss from your mind, momentarily at least, the John Ford we know, who could define himself with the three words “I make westerns.” Before Stagecoach (1939), Ford’s talking pictures played out in submarines, penitentiaries, and Scottish castles, in Mesopotamia, colonial...
Essays
Apr 25, 2011 — Brian De Palma brought hip, freewheeling funkiness to the American film renaissance of the late 1960s and early 1970s. Wised-up, cinema-savvy audiences across the country knew to seek out his movies for their scruffy wit, showmanship, and aesthetic innovation, not...
Features
Oct 26, 2010 — For several decades now, William Faulkner’s Light in August (1932) and Carl Dreyer’s Gertrud (1964) have been major touchstones for me—not only separately but also in some mysterious relation to each other. I even managed to find a way of discussing these...
On the Channel
Feb 18, 2026 — Among this month’s highlights are a celebration of VHS and how it revolutionized film culture, a spotlight on the Romanian New Wave, and a retrospective of pioneering queer filmmaker Monika Treut.
The Daily
Aug 8, 2018 — The selection of thirty films features highlights from Cannes, Locarno, Venice, and Toronto.
Sep 13, 2016 — Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.
The Daily
Jan 26, 2026 — The new year brings an ode to Judy Garland, conversations with Martin Scorsese, and a novel by John Sayles.
May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.
The Daily
Feb 27, 2023 — The Golden and Silver Bears sparkled, but many of the true gems were to be found in the Encounters program.