The Criterion Collection
Essays
Nov 15, 2011 — The thematic ideas and inspirations that sparked Three Colors: Blue (1993), though typically ambitious in scope, seem sketchy when compared to the intense experience of watching this exquisite film. We know that Krzysztof Kieślowski’s Three Colors trilogy corresponds to the...
On the Channel
Nov 13, 2024 — Spend the holiday season with the Pope of Trash, the Master of Suspense, MTV Productions’s turn-of-the-century thrills, and Columbia Pictures’s pre-Code button-pushers.
Feb 10, 2015 — The late film scholar beautifully analyzes the visual lyricism of the French master’s legendary short work.
Sep 30, 2021 — The Oscar-winning actor—whose one-hundredth birthday we’re celebrating on the Criterion Channel—embodied a mess of contradictions that have long been obscured by her reputation for unbending rectitude.
Sep 24, 2021 — The celebration of the life and work of the filmmaker, novelist, rebel, and father has just begun.
Sep 27, 2016 — This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.
The Daily
Mar 28, 2018 — “Forty-seven years young,” writes the staff at Slant, “New Directors/New Films—programmed by the Film Society of Lincoln Center and the Museum of Modern Art—is an eclectic, geographically far-flung survey of bourgeoning filmmaking talent, and more than ever, this year’s lineup...
Jun 1, 2016 — With Wrong Move, Wim Wenders made “a movie about the impossibility of moviemaking, a road movie about the uselessness of travel, a literary film about the impossibility of communication.”
Aug 20, 2013 — Satyajit Ray’s delicate masterpiece about forbidden love in the late nineteenth century is lovingly adapted from a novella by the great Rabindranath Tagore.
Aug 30, 2011 — “It is much less a film than it is myself,” Jean Cocteau wrote to a friend at the time he was making Orpheus (1950), “a kind of projection of the things that are important to me.” As with many of...