The Criterion Collection
Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...
Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.
Sep 4, 2017 — “Some films have a heat that makes you shrink from the cinema screen,” begins the Telegraph’s Robbie Collin, “After this morning’s screening of Three Billboards Outside Ebbing, Missouri, I had to check my eyebrows were still intact. The British-Irish director...
The Daily
Jan 9, 2023 — We gather some of the best recent writing on the National Society of Film Critics’s choices for the best films of 2022.
Oct 18, 2022 — Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.
The Daily
Aug 13, 2025 — Toronto will premiere Claire Denis’s new film and New York will present Rebecca Miller’s five-part Mr. Scorsese in its entirety.
Jun 25, 2021 — This week’s highlights include a new issue of Cinema Year Zero, a dossier from Sky Hopinka, and an excellent new name for a subgenre.
Essays
Sep 21, 2010 — This is an expanded version of a piece that appeared in the original 2004 Criterion DVD release of Charade. Stanley Donen’s Charade occupies a special place among sixties thrillers. In an era of spy films resplendent with macho-driven eroticism (the...
Aug 27, 2020 — In his novel All the Rest Have Died (1964), about his experience as a young actor in New York, Bill Gunn wrote, “I was always only slightly aware of the injustice the Black artist suffers while trying to create in...
Aug 5, 2025 — From Grosse Pointe Blank to Singles to Trainspotting, some of the decade’s most memorable fusions of music and cinema brought underground culture to new heights of pop consciousness.