The Criterion Collection
The Daily
Sep 3, 2024 — The Room Next Door, The Brutalist, and Babygirl are met with both wild enthusiasm and serious reservations.
Dec 13, 2022 — A pioneering feminist artist drawn to universal themes, the Swedish director mined the complexity and humor of human behavior in films that courted controversy and cultivated a sense of detachment.
Oct 25, 2022 — One of the few American films of its era directed by a Black woman, Kasi Lemmons’s feature debut advances a critique of patriarchy and asks questions about gender and sexuality that still resonate today.
Jul 26, 2022 — A seductive brew of decadence, dada, and drag, the German director’s fantastical films embrace the possibilities of female visual pleasure.
The Daily
Oct 26, 2021 — In the run-up to Friday’s opening, Wright has put together a delectable issue of the Observer New Review.
The Daily
Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.
Feb 10, 2021 — Carrière was a humble and eager collaborator, working with Buñuel, Forman, Malle, Oshima, Schlöndorff, Wajda, and Godard.
Essays
Aug 11, 2020 — The Complete Films of Agnès Varda The poster for the seventy-second Cannes Film Festival, held in May 2019, used a photograph taken during the shooting of Agnès Varda’s first film, La Pointe Courte, in 1954. Wearing rolled-up trousers, a shirt,...
Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.
Feb 1, 2011 — This essay was originally published in the booklet accompanying the 2006 DVD release of The Double Life of Véronique. A new life experience is in the air today, a perception that explodes the form of the linear narrative and renders...