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The Love Trap

Jan 16, 2025 Long considered lost, Fujisawa’s Bye Bye Love screens at Metrograph with two Teshigahara classics.

Jan 8, 2025 We’re looking forward to new work from Richard Linklater, Bong Joon Ho, Kelly Reichardt, Christian Petzold, Chloé Zhao, Sebastián Lelio, and many other filmmakers.

May 21, 2024 The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

May 14, 2024 Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Hello to Language

The Daily

Dec 16, 2022 This week: Molly Ringwald and Caroline Champetier on Godard, interviews with Tony Kushner and Park Chan-wook, and the new Brooklyn Rail.

Nov 1, 2022 A film of rich colors, mournful silences, and haunting symmetries, Wong Kar Wai’s masterpiece is a meticulously constructed memory box that invites fetishistic dissection.

May 26, 2022 Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.

Jan 12, 2021 In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...

Sep 25, 2019 Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.

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