The Criterion Collection
Jan 16, 2025 — Long considered lost, Fujisawa’s Bye Bye Love screens at Metrograph with two Teshigahara classics.
The Daily
Jan 8, 2025 — We’re looking forward to new work from Richard Linklater, Bong Joon Ho, Kelly Reichardt, Christian Petzold, Chloé Zhao, Sebastián Lelio, and many other filmmakers.
The Daily
May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.
May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.
Features
Dec 8, 2023 — Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...
The Daily
Dec 16, 2022 — This week: Molly Ringwald and Caroline Champetier on Godard, interviews with Tony Kushner and Park Chan-wook, and the new Brooklyn Rail.
Nov 1, 2022 — A film of rich colors, mournful silences, and haunting symmetries, Wong Kar Wai’s masterpiece is a meticulously constructed memory box that invites fetishistic dissection.
On the Channel
May 26, 2022 — Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.
Jan 12, 2021 — In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.