The Hindoo Dagger

Nov 29, 2022 — Everything Everywhere All at Once scores Best Feature and the Outstanding Supporting Performance award for Ke Huy Quan.

Nov 28, 2022 — We’re closing out the year with a gift bag full of screwball comedy favorites, a wagon train of wintry westerns, and a World Cup–ready team of eclectic football movies.

Nov 28, 2022 — When Sight and Sound announces the results of its decennial poll this week, we’ll see what a list of all-time great films looks like in 2022.

Nov 16, 2022 — Fifty new and recent restorations will screen at the Museum’s first-ever festival of preservation.

Nov 15, 2022 — An ongoing series spotlights films by women directors made in eastern Europe during the Soviet era.

Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.

Nov 2, 2022 — While the Wexner Center surveys her career, TCM’s podcast tells the full life story of Pam Grier.

Sep 30, 2022 — We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).

Sep 29, 2022 — An erotically charged “musical fantasia” opens the NYFF’s Currents program.

Sep 28, 2022 — This melodrama, made by André de Toth in his native Hungary, anticipates the unease of the director’s postwar Hollywood films with an array of radical stylistic choices and jarring visual tensions.