The Graduate

Jan 4, 2019 — The new year brings us new issues of Cinema Scope, Film Comment, the DGA Quarterly, and World Records.

Dec 26, 2018 — Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.

Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.

Feb 21, 2006 — Kind Hearts and Coronets (1949) is an Ealing comedy in name only. True, it’s undeniably a comedy and was made by (though largely not at) Ealing. But in virtually every other respect, it deviates startlingly from the commonly accepted stereotype....

Apr 10, 2025 — The competition alone will launch new films by Wes Anderson, Kelly Reichardt, Richard Linklater, Joachim Trier, and Ari Aster.

Oct 25, 2024 — An underseen gem of the Czechoslovak New Wave and an ambitious history of Hindi cinema are among this week’s highlights.

Oct 28, 2022 — The role of the vampire has given talented actors throughout film history—from Bela Lugosi to Catherine Deneuve—the chance to embody physical and moral extremity.

Feb 15, 2022 — Playful irreverence gives way to tragedy and transcendence in Leo McCarey’s 1939 masterwork, one of the defining romances of the Hollywood studio era.

Jan 11, 2022 — A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...