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That’s My Man

May 7, 2021 The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...

Apr 3, 2020 Conversations with Frederick Wiseman and Quentin Tarantino and rediscoveries of forgotten critics and an Arab filmmaker are among this week’s highlights.

Feb 3, 2017 Over on the Criterion Channel, for Super Bowl weekend, we’re showing the first football movie ever made, Harold Lloyd’s crackerjack comedy The Freshman (1925), and the first rugby-football movie ever made, Lindsay Anderson’s heart-pounding drama This Sporting Life (1963). And...

May 26, 2016 During the conductor and composer’s visit—a day after he’d led the New York Philharmonic in a live orchestral performance of the score to City Lights—we talked about his love for early cinema, the delicate process of restoring Chaplin’s music, and...

Mar 18, 2016 The French filmmaker discussed revisiting the world of his breakthrough feature, his desire to communicate with a younger generation, and his signature cinematic flourishes.

Jun 7, 2012 In this classic self-interview, published to coincide with the release of Summer with Monika, the director reveals key elements of his filmmaking process.

Feb 2, 2004 A story about defeat and failure, Robert Bresson’s masterpiece is a milestone in the slow process of the liberation of postwar French cinema

Jan 1, 2007 I’ve started writing this several times, and each time I’ve gotten diverted. Originally, I wrote about our troops in Iraq and the fact that we had sent along DVDs for the holidays, but I had a hard time equating our...

Aug 25, 2026 In her second film, Oscar-winning documentarian Barbara Kopple captures the anguish and perils of disunity in the labor movement and the corrosion of union power during the Reagan era.

Apr 22, 2026 “The wig has a name. The wig’s name is Pam.”I was not even a little surprised to hear that Dallas-born filmmaker Ja’Tovia Gary had given a name to the bouncy brown bob she wears in her film The Giverny Document...

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