Odd Man Out

Essays

Dec 4, 1995 While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.

Annie Hall

Essays

Dec 3, 1990 Over the years I have had a recurrent nightmare in which I am summoned to a large, unfamiliar building in a middle-European satellite country (Bulgaria, perhaps) to tell the idea of Annie Hall to the Bulgarian Minister of Green Lights,...

Oct 22, 2024 Lana Wilson is a writer and director whose work includes After Tiller, an Emmy-winning feature documentary about the four most-targeted abortion doctors in America; The Departure, a Spirit Award–nominated feature documentary about a punk-turned-priest who helps suicidal people find reasons...

Jul 14, 2008 Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.

The filmmaker returns to the Criterion Closet, where he praises seventies thrillers like The Parallax View and Straw Dogs, talks about You Can Count on Me and how “no one writes dialogue like Kenneth Lonergan,” and connects Targets to his...

The legendary filmmaker talks about the brilliance of Targets, his memories of collaborating with a young Martin Scorsese, and his experiences as a story analyst at Twentieth Century-Fox and as a distributor of art-house classics like Amarcord.

May 24, 2024 During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.

May 16, 2023 Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.

Jul 17, 2026 This week brings conversations with Jeffrey Wright, John Woo, and the members of three cinema collectives.

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