Super Me

May 14, 2026 — Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...

Mar 31, 2025 — The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.

Sep 8, 2023 — The festival launches new films by Wes Anderson, Richard Linklater, Harmony Korine, and Ibrahim Nash’at.

Apr 19, 2022 — The Cannes sidebar will present new films by Mia Hansen-Løve, Léa Mysius, João Pedro Rodrigues, and Alex Garland.

Mar 2, 2021 — Anyone looking to demonstrate the range of this year’s competition might set Hong Sangsoo’s Introduction next to Dominik Graf’s Fabian: Going to the Dogs.

Aug 31, 2020 — Documentaries lead the charge this month on the Criterion Channel, with a wide-ranging offering of nonfiction films as formally imaginative and emotionally riveting as any scripted drama.

Dec 12, 2019 — Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...

Nov 16, 2019 — Greg Mottola’s irresistible first feature, the dysfunctional-family odyssey The Daytrippers, is one of the great stories of 1990s low-budget independent filmmaking. Shot for $60,000 on Super 16 mm in just seventeen days—with up-and-coming cast members like Parker Posey, Liev Schreiber, Hope...

Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.