The Criterion Collection
Essays
Mar 24, 2017 — Capturing the cultural anxieties of the 1970s, Hal Ashby’s comedic parable explores the pitfalls of innocence and credulity in American politics.
Features
Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.
Short Takes
Jun 6, 2016 — For the Paris Review’s site, Dante A. Ciampaglia writes about the midcentury film writing of artist-writer-poet-filmmaker and all-around New York legend Jonas Mekas. For more than half a century, Mekas, now ninety-three, has been changing the landscape of experimental film,...
Aug 25, 2015 — In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.
Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.
Essays
Jul 15, 2014 — Among the brainiest of all horror movies, David Cronenberg’s film goes beyond shock to investigate a disturbing world of psychic mutation.
Features
Sep 4, 2013 — Only Ernst Lubitsch got the great comedian to be as funny on the big screen as he was on the radio.
Essays
Aug 30, 2011 — A startling blend of fantasy and reality, Lindsay Anderson’s satirical tale of adolescent rebellion personifies the 1960s.
Essays
Nov 16, 2010 — To make a silent film in 1931, four years after The Jazz Singer, was to buck the trend in a film industry rapidly divesting itself of silence. To make another in 1936, nearly a decade after the advent of sound,...
Essays
Nov 27, 2008 — Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.