The Criterion Collection
Jun 21, 2021 — The New York festival has presented its awards, premiered a star-studded heist movie, and thrown a party.
The Daily
May 12, 2021 — The actor, director, and producer known for his work with Welles, Hitchcock, Chaplin, and Renoir was 106.
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
Apr 20, 2021 — 1. “I Felt Nothing” In September 2019, about halfway between claiming the Palme d’Or at Cannes in May and earning multiple Oscar nominations in January 2020, Bong Joon Ho’s Parasite was briefly upstaged by a movie from the director’s past....
Apr 19, 2021 — What lies beyond the grave? Human cultures across space and time have imagined many kinds of afterlives, from the attenuated shades of Hades to the lush paradise of the Islamic Jannah to the merger with the infinite anticipated by mystics....
The Daily
Apr 13, 2021 — This month’s round spans from the earliest days of cinema, through Hollywood’s golden age and Scorsese’s Raging Bull to Sharon Stone’s memoir.
The Daily
Mar 29, 2021 — Filmmakers, programmers, and critics remember a man who “embodied the spirit of cinema as robustly as anyone ever has.”
Mar 12, 2021 — Deep Dives I can think of few movies that express the pain of being young better than Hiroshi Teshigahara and Kobo Abe’s Ako (1964). I first happened upon it by chance, lurking among the supplements on the Criterion edition of...
The Daily
Mar 11, 2021 — The Museum of Modern Art is streaming the only two features by the forgotten filmmaker championed by Bertrand Tavernier and Pierre Rissient.
Mar 9, 2021 — “Oral tradition is a tradition of images. What is said is stronger than what is written; the word addresses itself to the imagination, not the ear. Imagination creates the image and the image creates cinema, so we are in direct...