Back To Search

Princess

Apr 24, 2000 “Most of Aesop’s fables have many different levels and meanings. There are those who make myths of them by choosing some feature that fits in well with the fable. But for most of the fables this is only the first...

Orpheus

Essays

Apr 24, 2000 When I make a film, it is a sleep in which I am dreaming. Only the people and places of the dream matter. I have difficulty making contact with others, as one does when half-asleep. If a person is asleep...

Nov 23, 1998 Harold Shand, the London crime boss at the center of The Long Good Friday, is more than an antihero. He’s the Antichrist, uniting bourgeoisie and barbarians in a simultaneous Pax and Pox Brittanica. With the “legitimate” help of cops and...

Ugetsu

Essays

Dec 28, 1993 In his touchstone of postwar Japanese cinema, Kenji Mizoguchi uses woman’s fate to reveal the human cost of oppression.

Mar 15, 1989 When Darling debuted in 1965, Bosley Crowther of the New York Times remarked that director John Schlesinger had “made a film that will set tongues to wagging and moralists wringing their hands.” There was plenty of tongue-wagging over this satirical...

Oct 12, 1987 Akira Kurosawa’s thrilling Cinemascope epic is set squarely within the traditions of the Japanese film genre known as the “Chambara.”

Nov 13, 2025 The director of Rat Trap and Monologue was an uncompromising artist who helped establish the Indian state of Kerala as a hub of bold political filmmaking.

Apr 21, 2023 Names in the news this week: Catherine Deneuve, John Akomfrah, Nan Goldin, György Fehér, Leiji Matsumoto, and Hayao Miyazaki.

August Books

The Daily

Aug 17, 2022 Our late summer reading list includes vital film criticism and new titles on Josephine Baker, Douglas Fairbanks, and more.

Aug 8, 2021 This month on the Channel, dive into the films of John Huston, Jean Harlow, Josephine Baker, and other cinematic icons.

Current Page
17
of 18

You have no items in your shopping cart