The Criterion Collection
The Daily
Oct 8, 2025 — We remember an artist, teacher, and filmmaker who unleashed realms of depth from two-dimensional images.
The Daily
Oct 3, 2025 — Among them are the latest from Claire Denis, the return of Daniel Day-Lewis, and a dazzling restoration.
Oct 1, 2025 — In his second stop-motion feature, Wes Anderson grapples with what it means to acknowledge one another within systems that separate beings between pet and master, wild and tamed.
The Daily
Sep 30, 2025 — Three films of wonder and wandering: Mare’s Nest, Dry Leaf, and Drunken Noodles.
Sep 30, 2025 — Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.
Features
Sep 26, 2025 — One of the most provocative subgenres of 1970s exploitation cinema, nunsploitation explores the collision of sex and religious dogma through stories of desperately horny women of the cloth.
Features
Sep 25, 2025 — To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.
Essays
Sep 23, 2025 — A tale of animal survival in a world deserted by humanity, Gints Zilbalodis’s Oscar-winning triumph casts a hushed spell with its elemental storytelling, immersive visual style, and creaturely subjectivity.
The Daily
Sep 18, 2025 — No movie star was bigger in the 1970s, and he won an Oscar for directing Ordinary People. But Sundance may be his most impactful legacy.
Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.