The Criterion Collection
Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”
Dec 17, 2024 — A remarkable breakthrough in Hong Kong action cinema, this rip-roaring spectacle represents the peak of Hung’s commitment to ensemble-oriented filmmaking.
Features
Jan 29, 2021 — Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...
Jan 21, 2018 — “In a festival that rarely wants for political currency,” writes Justin Chang in a dispatch from Sundance to the Los Angeles Times, “it’s surely no coincidence that Blindspotting and Monsters and Men, the first two films to screen in this...
The Daily
Dec 13, 2017 — In today’s round, we’re looking not only at the most recent best-of-2017 lists and awards but also new additions to the National Film Registry, the Black List, and more. We begin with Film Comment, where contributors and staff have voted...
The Daily
Aug 30, 2017 — “You could argue that [Janicza Bravo’s] Lemon thinks too much about its own face, its style over its substance,” writes Niela Orr for the Baffler, “but it does so in service of its critique of white male narcissism. To this...
Features
Apr 17, 2026 — From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.
The Daily
Oct 20, 2021 — The late director of Canoa: A Shameful Memory aimed “to show people the real Mexico.”