Inside

Sep 25, 2023 — There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...

Sep 25, 2023 — This month brings collections on Straub-Huillet and Whit Stillman, an Anna May Wong biography, and a novel starring Marilyn Monroe.

Sep 20, 2023 — Few of Wang’s films contrast as starkly as Youth (Spring) and Man in Black, and both are set to screen in New York.

Sep 19, 2023 — Franz Kafka’s The Trial, the unfinished tale of a man living under arrest and prosecution for an unspecified offense, is perhaps the iconic author’s most paradigmatic text. Following its posthumous publication in 1925, and its translation into English by Willa...

Sep 12, 2023 — Cord Jefferson’s American Fiction and Kristoffer Borgli’s Dream Scenario are received in Toronto with applause, laughter, and a few reservations.

Sep 6, 2023 — Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.

Sep 5, 2023 — Pablo Larraín’s Golden Lion contender and upcoming series in New York and Vienna mark the fiftieth anniversary of the Chilean coup d’état.

Sep 1, 2023 — Stan Lee meets Alain Resnais, plus interviews with Molly Haskell, Babette Mangolte, and Manohla Dargis—and James Quandt on Jean Eustach

Aug 25, 2023 — Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...

Aug 15, 2023 — Wayne Wang is perhaps best known as a cinematic chameleon. Working both inside and outside of the Hollywood ecosystem, he has consistently demonstrated a restless curiosity about a wide range of cultures and filmic traditions. In addition to directing two...