The Criterion Collection
Essays
Aug 20, 2001 — Carl Dreyer considers the work of art’s soul in this excerpt from Dreyer in Double Reflection.
Oct 31, 1988 — The wittiest, most sophisticated thriller ever made, North by Northwest is one of the crowning achievements in the careers of its director, Alfred Hitchcock, and its star, Cary Grant. Released in 1959 to both critical and public acclaim, this classic...
Aug 17, 2021 — D. A. Pennebaker turns his camera on Stephen Sondheim and the cast of his breakthrough musical in this revelatory documentary about artists at work.
Feb 9, 2016 — Jan Troell’s narration of one Swedish couple’s arduous journey to America portrays the migratory quality of marriage—of “finding that you think of this person who is not you, or this place that is not the land of your birth, as...
The Daily
Jan 3, 2024 — The new year will bring us new work from Leos Carax, Bong Joon Ho, Francis Ford Coppola, Mike Leigh, David Cronenberg, Celine Song . . .
Features
Dec 12, 2023 — Deep Dives Beloved for his poetic observations of domestic life and intergenerational conflict, Yasujiro Ozu is an icon of international art-house cinema whose patient, exquisitely restrained style has influenced filmmakers around the world. But even though he directed more than...
Aug 31, 2021 — Cary Joji Fukunaga’s devastating child-soldier movie unflinchingly captures the shock of war without forsaking the complexity of human experience.
Features
May 27, 2020 — Walking, like breathing, is something we do without thinking, an activity so commonplace that pedestrian has as its second meaning uninspired, ordinary, dull. Movies, however, reveal this action as more than just the original mode of getting from here to...
Features
Apr 3, 2020 — Everyone remembers their first time with Toshiro Mifune. With almost anyone else, such a first would be recollected with a shrug or a casual “it was . . . fine.” But Mifune induces delirious and perfect recall: of him flat...
The Daily
Feb 18, 2018 — Christian Petzold seems to realize that viewers are going to feel as if they’ll need a few moments to get their bearings in the world of Transit. In one swift and brilliant stroke, he denies us the luxury. Georg (Franz...