Nov 9, 2021 Julia Ducournau’s Titane, Jasmila Žbanić’s Quo Vadis, Aida?, and Florian Zeller’s The Father lead with four each.

Nov 2, 2021 Federico Fellini’s earliest masterpiece is a story of despair and optimism, cruelty and salvation, that occasioned the director’s ascent to stardom.

Oct 22, 2021 Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. Americans have long been encouraged to buy into the...

Oct 22, 2021 Deep Dives People of color have often been erased from the history of queer life, but against the odds they have managed to leave behind important documents of their communities’ survival, including underappreciated films that remain to be discovered by...

Oct 21, 2021 Performances I wonder if they saw each other from across the room while looking for a fun-house reflection of themselves. I wonder if they found in each other a secret little world. Regardless, Greta Gerwig and Mickey Sumner met at...

Oct 15, 2021 There is a gloriously unaffected vibe about Gina Prince-Bythewood. Cerebral and sublime, casually beautiful and laser-focused, she has written and directed impressive television and film for the past twenty-plus years with equal parts rigor and joy. And she has achieved...

Sep 30, 2021 The Oscar-winning actor—whose one-hundredth birthday we’re celebrating on the Criterion Channel—embodied a mess of contradictions that have long been obscured by her reputation for unbending rectitude.

Sep 29, 2021 Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.

Sep 27, 2021 Denzel Washington and Frances McDormand star in Coen’s first feature as a solo director.

Sep 23, 2021 Gina Prince-Bythewood’s iconic debut portrays Black love without forcing its heroine to compromise herself and her ambitions.

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