The Criterion Collection
Jun 14, 2017 — A tireless explorer of cinema’s discarded past, Bill Morrison brings his unique approach to found-footage filmmaking to his latest project, a documentary about lost reels of nitrate film found in Canada’s Yukon Territory.
Essays
May 23, 2017 — In one of the first major films to confront the contemporary refugee crisis in Europe, Jacques Audiard brings a genre-busting approach to an explosive subject.
Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.
Dec 21, 2016 — Garrett Brown in our kitchen reenacting a Steadicam-shot scene from Blow Out In 1975, the cameraman Garrett Brown revolutionized filmmaking technology with the Steadicam, an invention that brought together the agility and immediacy of a handheld camera with the smoothness and...
Nov 8, 2016 — This adaptation of one of the most influential series in manga history is a delirious mix of breathtaking swordplay and pop vulgarity.
Sneak Peeks
Sep 16, 2016 — Critic Phillip Lopate explores the duality of the director’s approach to his female protagonists and asks whether his films are proto- or antifeminist.
Jan 20, 2016 — Inside Llewyn Davis (now out on Blu-ray and DVD), the Coen brothers’ latest odyssey into the more desolate corners of Americana, stars Oscar Isaac in the title role, as an ill-fated musician navigating the Greenwich Village folk scene of the...
Short Takes
Nov 24, 2015 — Film scholar David Bordwell has written a terrific new piece for his blog about the incredible influence and evolution of Agnès Varda’s six-decade-long filmmaking career. “Varda is now regarded as a living treasure of world cinema,” Bordwell writes. “Whatever she...
Jun 17, 2015 — From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.
May 29, 2015 — A shocking chapter of Soviet Czechoslovakian history is dramatized in Costa-Gavras’s controversial follow-up to Z.