The Criterion Collection
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.
Nov 15, 2022 — A box-office success that buoyed Hong Kong’s beleaguered movie industry in the early 2000s, this suite of crime films combines narrative intricacy and moral complexity with an abundance of megastar charisma.
Features
Aug 26, 2022 — In a pivotal early scene in this baseball classic, director Ron Shelton mischievously uses two contrasting rock tunes to comment on disparate versions of masculinity.
Jun 8, 2022 — The Indian director, actor, and producer’s early death has enshrined him as a tragic icon in public memory. But there is more to his art than misery.
On the Channel
Mar 30, 2022 — Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.
The Daily
Mar 15, 2022 — A captivatingly unclassifiable leading man in the 1980s, Hurt often returned to his first passion—the theater.
Production Notes
Nov 3, 2021 — 1. Jack Arnold was a prolific genre director over the course of his many years as a filmmaker. He started as a cinematographer in the Army Signal Corps during World War II, and after the end of the war started...
Oct 20, 2021 — This uncanny tale of existential anxiety stands out as the most rigorously pared-down American science-fiction film of the 1950s.
The Daily
Mar 29, 2021 — Filmmakers, programmers, and critics remember a man who “embodied the spirit of cinema as robustly as anyone ever has.”
Feb 24, 2021 — He never really pushes that cart, does he? Despite the film’s title, Ahmad (Ahmad Razvi), the mournfully persistent protagonist of Ramin Bahrani’s 2005 debut feature, Man Push Cart, is almost always seen pulling his cart through the nighttime streets of...