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Death Ride

Apr 16, 2021 Few motifs in Indian cinema are as potent, as laden with history and meaning, as the train. In 1955’s Pather Panchali, Satyajit Ray immortalized the railways as the symbol of an alienating modernity in a newly independent India; in a...

BAFTAs and Guilds

The Daily

Apr 12, 2021 Chloé Zhao widens her lead in the Oscar race.

Feb 4, 2021 Here’s an overview of what critics have been saying about this year’s winners.

Dec 14, 2020 This year’s selection features a record number of films directed by women and people of color.

Dec 4, 2020 Forty years after her death, people still imitate Mae West’s voice: that slinky contralto drawl that hit each Brooklyn-inflected vowel like a cab driver leaning on his horn. The voice would be memorable even if she had by some wild...

A Robust Round

The Daily

Nov 13, 2020 We’re keeping busy with online festivals, awards nominations, remembrances, and plenty of weekend reading.

Sep 30, 2020 Genre fans rejoice! October kicks off with a ’70s Horror series and the head-spinningly eclectic films of the New Korean Cinema.

Aug 18, 2020 A sensuous exploration of amorous discontent and dreadful miscalculation, The Comfort of Strangers (1990) could be described as an erotic thriller, though it rarely is: its eroticism is too perverse, its pedigree too highbrow. Directed by Paul Schrader and based...

Jun 29, 2020 Channel Calendars This July, the Criterion Channel celebrates unconventional artists who march to the beat of their own drum, with spotlights on indie iconoclast Miranda July, cutting-edge composer Ryuichi Sakamoto, downtown poet Sara Driver, lyrical documentarians Bill and Turner Ross, and formally...

May 27, 2020 Walking, like breathing, is something we do without thinking, an activity so commonplace that pedestrian has as its second meaning uninspired, ordinary, dull. Movies, however, reveal this action as more than just the original mode of getting from here to...

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